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THE WELKIN
Frank Theatre
March 6-29, 2026
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“It’s 1759 in rural England, and the country is awaiting the return of Halley’s comet. A young woman, accused of murder, is sentenced to death. When she tries to escape the noose by claiming she is pregnant, twelve ordinary women are gathered to decide whether she is telling the truth. A dark, fierce, funny play about democracy and housework.
Kirkwood reminds us: truth doesn’t disappear when we ignore it—and silence, in the face of harm, is its own kind of violence. At once historic and urgent, the play takes aim at systems of control—from the state to the patriarchy—and cracks them open with fierce wit.”
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“A superb new history play – a feminist courtroom drama that’s equal parts Twelve Angry Men, The Crucible and The Vagina Monologues, plus a dash of searing, up-to-the-minute political and social commentary… a warm, humane and very funny piece, firmly anchored in women’s everyday experience.” —Broadway World
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Despite tons of humor, there's also a lot of strong language & mature content in this play, including scenes of a violent & distressing nature.
Don't bring the kids.
If you'd appreciate more specific content warnings/more details, or have any other questions, please fill out this form — feel free to include any topics of particular concern.
Recent performances…
Photo by Jess Kray Martin Photos
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February 9th. 7pm. BARd Shakes @ Minneapolis Cider Company. FREE.
Come see Shakespeare like you’ve never seen it before.
THE CHERRY
ORCHARD
THE MOVING COMPANY
& THE JUNGLE THEATER
“The cast is a seamless ensemble…”
“Elizabeth Efteland is quite remarkable…" - Arthur Dorman, Talkin Broadway
“Elizabeth Efteland gives two polar opposite performances…”
“so lovely, so thoughtfully constructed with every attention to detail, so beautifully performed by the seven-person cast, and so gorgeously sad.” - Jill Schafer, Cherry & Spoon
[photo by Dominique Serrand]
“The best player in the cast is Efteland, whose Ellen must navigate her fiancé’s insecurities onstage and off … Efteland’s performance shows maturity and intelligence. She says much with gestures and pauses.”
RED VELVET, Walking Shadow Theatre Company
“A strong cast aids in the journey, led by Georgia Doolittle as Ella and Elizabeth Efteland as Sonia. Both performances craft deep, multi-dimensional characters that are at the heart of the play.” - Ed Hyuck
LIFE SUCKS by Aaron Posner
Directed by Joel Sass
Photo by Nicole Neri
Photo by Jess Kray Martin Photos
A MIDSUMMER NIGHT’S DREAM
BARd Shakes @ Minneapolis Cider Co.
THE TIN WOMAN
April 4-13th, 2025 at the Historic Mounds Theatre
“Reeling in the wake of an unexpected heart transplant, Joy finds herself drawn to contact the donor’s family. A tempestuous meeting ensues resulting in a roller coaster of tears, laughter, and healing. An intimate and poignant play, THE TIN WOMAN explores the power of human connection.”
The Violet Sisters by Gina Femia
A Staged Reading at The Playwrights’ Center, directed by Obie award-winner Taylor Reynolds
Performed by Elizabeth Efteland & Jen Burleigh-Bentz“In the wake of Hurricane Sandy, Pam comes home to Brooklyn to attend her father’s funeral. When she arrives, she is greeted by an angry sister, a dilapidated house, and a harrowing, inescapable past. The two sisters are forced to deal with all that they have let slip away, all the words that have been left unsaid, and whether they can forgive what they cannot bring themselves to forget.”
Video may be available for viewing upon request.
THE RIVER - Walking Shadow Theatre
Directed by Amy Rummenie
“Elizabeth Efteland reveals The Other Woman's self-confidence, with the strength to hold her own, or even take the upper hand, against The Man. She is uninhibited and comfortable with herself.”
MISS BENNET: CHRISTMAS AT PEMBERLEY
“The cast is led by Elizabeth Efteland as Mary Bennet and Scott Laban as Arthur de Bourgh and they are both perfectly suited for their roles … The chemistry between Efteland and Laban is palpable… this pair finds just the right tone in every scene”